Introduction To Hengjin

OUR DIRECTOR / 創辦人

Aixinjueluo Hengjin

The palace is far away but not strange. Calligraphy and painting are flowing in my blood! What is the relationship between the court and painting? Thank God for choosing "Hengjin", which was taught by an old prince of the Qing Dynasty. My grandfather and mother passed on to me and will last forever⋯⋯

The genealogy of Aixinjueluo's family

AiXinjueluo Hengjin, his grandfather Pu Quan, was born in a calligraphy and painting family with profound family knowledge. He was the grandson of Prince Dun, the fifth son of Emperor Daoguang. He was deeply influenced since childhood and inherited his family's learning of calligraphy and painting, becoming an outstanding calligrapher and educator in modern times. Many paintings, such as "Welcoming Guests Pine" and "The Striking of Thousands of Gullies," are still collected in the Great Hall of the People in Beijing. His mother loved Xinjueluo Wenjia and was deeply influenced by my father's words and deeds. Heng Jin studied calligraphy and painting with her grandfather and mother from an early age. While influenced and influenced by the orthodox palace painting school, Heng Jin also collected the essence of various schools, and formed a unique personal style through continuous exploration.

Inheritance of Qing court calligraphy and painting from the Five Dynasties / Zaiying - Puquan - Yuzhou - Hengjin - Qiying

The first thing in family history is to learn to paint horses with royal colors

The series of peonies and bodhi leaves that she can paint shows her solid painting skills and ingenious craftsmanship. She once said, "Painting requires us to carefully observe things. Although flowers and birds are small, they are complete in detail, and if we do not pay attention, we cannot draw well." She has a high demand for details, even if it is just a flower, we can clearly see the lines clearly outlined above. At the same time, the peonies and bodhi leaves also have the meaning of "blooming, rich, and noble" and "enlightened", and together with the words in the paintings, they explain the true meaning of life to people, which is thought-provoking.

Heng Jin's works have bright colors and vivid strokes, following the neat and delicate style of traditional Chinese royal court painting, and incorporating a life style into them, bringing new vitality to court painting, creating a realm of "one leaf, one bodhi, and one flower, one world". His works have both form and spirit, vivid charm, and a combination of brushwork and craftsmanship.

The persistence and rigor of the two generations of artists in artistic creation are integrated into each painting in their works. Palace painting is of great significance in the history of Chinese art. This unique artistic style has been inherited through the royal blood and continues to exude its artistic value.

In 1992, she opened the "Pine Wind Pavilion" in Beijing, which gathered the wonderful works of family calligraphers and painters to disseminate palace culture to the public. At the same time, she was also carefully guided by Pu Jie and Qigong, and benefited greatly. Hengjin is enthusiastic about public welfare undertakings. In recent years, she has donated calligraphy and paintings to raise donations for the True Love Dream Public Welfare Foundation and donated her works to orphans and disabled children. And enthusiastically runs for the "Elegant Mother" fund cause.

In recent years, Hengjin's works have received more and more attention. She has been comprehensively reported by "Fashion", "Mother and Child Health", "Phoenix Life", "People's Art", "Hong Kong Ta Kung Pao", "Wen Wei Po", "Business Daily", "Eastern Weekly", and Taiwan Wireless Television News (TVBS).

Since 2015, under the arrangement of friends, Hengjin has held small art exhibitions in clubs in Beijing, Shanghai, Tianjin, Qinhuangdao, Chongqing, Chengdu, Guangzhou, and Shenzhen to teach court painting and calligraphy, which has been highly praised.

Since 2017, Hengjin's works have been photographed in Poly, Beijing, and their "Diamond Sutra Scrolls", "Lotus Birds", and "Green Landscape" have all been collected by collectors.

At the beginning of 2018, a calligraphy and painting exhibition of "Gege under the Bodhi Tree" was held at the Shamian and Xi Art Museum in Guangzhou. In August 2018, a calligraphy and painting exhibition titled "Gege under the Bodhi Tree" was held at the Hong Kong Tianqu Art Museum.

In March 2019, Hengjin · Jin Studio was established in Central Hong Kong. It is located in the bustling central area and enjoys the tranquility in the bustle. Hengjin teachers will accompany you: piano, chess, calligraphy and painting, tea tasting, flower arrangement, listening to incense, intellectual lectures, and interesting handicrafts. They will transmit traditional Chinese culture and weave our Hong Kong culture.

We are committed to promoting exchanges between Hong Kong and the mainland art community. Strive to seek talented and ambitious cultural and creative industry professionals from both regions; He also led both parties to participate in art exhibitions and various types of activities in the two regions, in order to promote more and deeper cultural exchanges between the two regions.

OUR DIRECTOR / 創辦人

Aixinjueluo Hengjin

The palace is far away but not strange. Calligraphy and painting are flowing in my blood! What is the relationship between the court and painting? Thank God for choosing "Hengjin", which was taught by an old prince of the Qing Dynasty. My grandfather and mother passed on to me and will last forever⋯⋯

AiXinjueluo Hengjin, his grandfather Pu Quan, was born in a calligraphy and painting family with profound family knowledge. He was the grandson of Prince Dun, the fifth son of Emperor Daoguang. He was deeply influenced since childhood and inherited his family's learning of calligraphy and painting, becoming an outstanding calligrapher and educator in modern times. Many paintings, such as "Welcoming Guests Pine" and "The Striking of Thousands of Gullies," are still collected in the Great Hall of the People in Beijing. His mother loved Xinjueluo Wenjia and was deeply influenced by my father's words and deeds. Heng Jin studied calligraphy and painting with her grandfather and mother from an early age. While influenced and influenced by the orthodox palace painting school, Heng Jin also collected the essence of various schools, and formed a unique personal style through continuous exploration.

Inheritance of Qing court calligraphy and painting from the Five Dynasties

Zaiying - Puquan - Yuzhou - Hengjin - Qiying

The first thing in family history is to learn to paint horses with royal colors

The series of peonies and bodhi leaves that she can paint shows her solid painting skills and ingenious craftsmanship. She once said, "Painting requires us to carefully observe things. Although flowers and birds are small, they are complete in detail, and if we do not pay attention, we cannot draw well." She has a high demand for details, even if it is just a flower, we can clearly see the lines clearly outlined above. At the same time, the peonies and bodhi leaves also have the meaning of "blooming, rich, and noble" and "enlightened", and together with the words in the paintings, they explain the true meaning of life to people, which is thought-provoking.

Heng Jin's works have bright colors and vivid strokes, following the neat and delicate style of traditional Chinese royal court painting, and incorporating a life style into them, bringing new vitality to court painting, creating a realm of "one leaf, one bodhi, and one flower, one world". His works have both form and spirit, vivid charm, and a combination of brushwork and craftsmanship.

The persistence and rigor of the two generations of artists in artistic creation are integrated into each painting in their works. Palace painting is of great significance in the history of Chinese art. This unique artistic style has been inherited through the royal blood and continues to exude its artistic value.

In 1992, she opened the "Pine Wind Pavilion" in Beijing, which gathered the wonderful works of family calligraphers and painters to disseminate palace culture to the public. At the same time, she was also carefully guided by Pu Jie and Qigong, and benefited greatly.

Hengjin is enthusiastic about public welfare undertakings. In recent years, she has donated calligraphy and paintings to raise donations for the True Love Dream Public Welfare Foundation and donated her works to orphans and disabled children. And enthusiastically runs for the "Elegant Mother" fund cause.

In recent years, Hengjin's works have received more and more attention. She has been comprehensively reported by "Fashion", "Mother and Child Health", "Phoenix Life", "People's Art", "Hong Kong Ta Kung Pao", "Wen Wei Po", "Business Daily", "Eastern Weekly", and Taiwan Wireless Television News (TVBS).

Since 2015, under the arrangement of friends, Hengjin has held small art exhibitions in clubs in Beijing, Shanghai, Tianjin, Qinhuangdao, Chongqing, Chengdu, Guangzhou, and Shenzhen to teach court painting and calligraphy, which has been highly praised.

Since 2017, Hengjin's works have been photographed in Poly, Beijing, and their "Diamond Sutra Scrolls", "Lotus Birds", and "Green Landscape" have all been collected by collectors.

At the beginning of 2018, a calligraphy and painting exhibition of "Gege under the Bodhi Tree" was held at the Shamian and Xi Art Museum in Guangzhou. In August 2018, a calligraphy and painting exhibition titled "Gege under the Bodhi Tree" was held at the Hong Kong Tianqu Art Museum.

In March 2019, Hengjin · Jin Studio was established in Central Hong Kong. It is located in the bustling central area and enjoys the tranquility in the bustle. Hengjin teachers will accompany you: piano, chess, calligraphy and painting, tea tasting, flower arrangement, listening to incense, intellectual lectures, and interesting handicrafts. They will transmit traditional Chinese culture and weave our Hong Kong culture.

We are committed to promoting exchanges between Hong Kong and the mainland art community. Strive to seek talented and ambitious cultural and creative industry professionals from both regions; He also led both parties to participate in art exhibitions and various types of activities in the two regions, in order to promote more and deeper cultural exchanges between the two regions.

facebook

ins

抖音

小红书